5/6/2021 0 Comments Cosi Fan Tutte Synopsis
He captures the comedy on the surface without ever letting go of the heartbreak which might lie beneath, when a joke goes too far and love is really on the line.Designer Moritz Junge draws on the beautiful fashions of 1900s Italy, in the tradition of A Room with a View, or Death in Venice.This anecdote may or may not be true its certainly a good story but the libretto is one of just two da Ponte created without using a source text, so it is possible.The Burgtheater performed it five times before the Emperor died and the city went into official mourning, closing all of the theatres.
This gave the opera a slow start, and the scandalous subject matter (fiance-swapping Infidelity) and perhaps too-relatable emotions made it a rare treat in Europe for nearly two centuries. He filled her showpiece aria with big leaps from low to high notes and back again in order to make her head bob like a chicken on stage. Is it a ridiculous story, upon which Mozart wasted his genius Or is the seeming tension between the story and music evidence of Mozart and da Pontes brilliance, where clever writing and stunning music lends depth to an at-first-glance lightweight tale A good director and designer can play with this unease to great effect if they avoid the temptation to reduce the story to buffoonery or neglect the comedy for the profound truths about human emotions that lies underneath. Cosi Fan Tutte Synopsis Code Apply PromoSingle Tickets Choose a Performance Choose a Performance Or, Enter Promo Code Current Season Joseph Calleja The Maltese Tenor Choose a DateTime Choose a DateTime View Cart 0 Items 0.00 Cart (0) No promo applied Promo Code Clear All Enter Promo Code Apply promo code Apply promo code. Alfonso, left alone, gloatingly predicts that the women (like all women) will prove unfaithful (arioso: Oh, poverini, per femmina giocare cento zecchiniOh, poor little ones, to wager 100 sequins on a woman). The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and Don Giovanni. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. It is usually translated into English as Women are like that. The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da Ponte had used the line Cos fan tutte le belle earlier in Le nozze di Figaro (in act 1, scene 7). It was given only five times before the run was stopped by the death of the Emperor Joseph II and the resulting period of court mourning. It was performed twice in June 1790 with the composer conducting the second performance, and again in July (twice) and August (once). After that it was not performed in Vienna during Mozarts lifetime. The first British performance was in May 1811 at the Kings Theatre, London. Cos fan tutte was not performed in the United States until 1922, when it was given at the Metropolitan Opera. The opera was rarely performed, and when it did appear it was presented in one of several bowdlerised versions. Don Alfonso is frequently performed by baritones such as Thomas Allen and Bo Skovhus and Dorabella is almost always performed by a mezzo-soprano. Ferrando and Fiordiligi, however, can only be sung by a tenor and a soprano because of the high tessitura of their roles. Fiordiligis aria Per piet, ben mio, perdona, act 2, contains a rare instance of clarinets in B-natural (key of the aria is E major which transposes to F major for the clarinette part, explaining the use of B clarinets). In most modern editions this is made into a part for A clarinets. The NMA keeps the notation for the (now obsolete) B clarinet. There is evidence that some of the clarinet writing was intended for basset clarinet due to its low range. Elements from Shakespeares The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid s Metamorphoses, vii. Don Alfonso expresses skepticism and claims that there is no such thing as a faithful woman. He lays a wager with the two officers, claiming he can prove in a days time that those two, like all women, are fickle. The wager is accepted: the two officers will pretend to have been called off to war; soon thereafter they will return in disguise and each attempt to seduce the others lover. The scene shifts to the two women, who are praising their men (duet: Ah guarda sorellaAh look sister). Alfonso arrives to announce the bad news: the officers have been called off to war. Ferrando and Guglielmo arrive, brokenhearted, and bid farewell (quintet: Sento, o Dio, che questo piede restioI feel, oh God, that my foot is reluctant). As the boat with the men sails off to sea, Alfonso and the sisters wish them safe travel (trio: Soave sia il ventoMay the wind be gentle).
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